Approach to contemporary aesthetics

Abstract

The present exercise tries to review how the categories of aesthetics have been shaped to understand the moments and dispositions of art throughout history, as a first starting point of a theoretical nature. It is not, however, a historiographic visit of aesthetics, but a critical look at the constant epistemological breaks that this discipline has brought with it. The presentation of the most relevant data will be made from the observation of the changes in the logics that support the aesthetic analysis, turning the interest, therefore, not in finding a consensus of that order, but in positioning itself from the problem of the aesthetics as a disintegrating nucleus of rigid postures.